Sacks

The Sacks series was conceived in the mid-1970s as a formal reworking of a personal event.

Transparent containers of liquids, suspended, over the years, the Sacks have maintained their formal design.

The transparency of the container exposes the quality of the liquids, and testifies to the themes of the artist's research: water, as a vital resource; environmental protection, as a critique; pictorial research, as action; suspension, as a reflective posture.

H2 R, 2016, site-specific installation, water, Marrakech red pigment, 70x60.

Part of Omaggio a casa ORMA/Homage to casa OrRMA, Gruppo Koiné, 2016, Gropparello (PC)

H2O, 2022, sito-specific installation, water, Polyethylene, 70x60.

Part of Tempo/Time a series of exhibitions' Project by Gruppo Koiné, Civic Library of Vimercate.

Acqua Alta/High Water, 2019, site-specific installation, water, Polyethylene, Venice, “M. Guggenheim” Art High School, cloister.

Part of the exhibiton project la memoria continua – un anno di testimonianza/ the memory continues – a year of testimony, 25x12+1 Project by Gruppo Koiné, whole duration 25 April 2018 – 25 April 2019, in collaboration with A.N.P.I. Section 7 Martyrs Venice.

Il senso del vuoto/the sense of void, 2013, site-specific installation, Polyethylene, Lambro river polluted water, 90x60.

Il senso del vuoto/the sense of void is a reference to the environmental disaster of Lombarda Petroli in Villasanta, where tons of hydrocarbons and fuel oils from the company were spilled into the Lambro River.
The work is part of Naturales Questiones group exhibition, Arengario di Monza, in partnership with the Province of Monza Brianza, promoted by Leo Galleries. Catalogue Naturales Questiones Umberto Allemandi Editor.

Analisi/Analysis, 2012, site-specific installation, Polyethylene, water, urine, full view 25x2000x5, single element 25x15x5.

Part of the project Quarta Mista – sulle tracce di Enzo Bontempi/Fourth Mixed – on the traces of Enzo Bontempi, Gruppo Koiné, Agrate Brianza former elementary schools. Critical text by Dario Porta.